| Year |
Title |
Author |
| 1987 |
The Age of Intelligent Machines |
Ray Kurzweil |
| 1990 |
Aaron's Code: Meta-Art, Artificial Intelligence and the Work of Harold Cohen |
Pamela McCorduck |
| 2003 |
Image Ethics in the Digital Age |
Larry Gross, John Stuart Katz, & Jay Ruby |
| 2004 |
Robotic Poetics |
William Winder |
| 2015 |
Towards a Poetics
of Artificial Superintelligence |
Nora Khan |
| 2016 |
Perpetual Lineup |
Clare Garvie, Alvaro Bedoya & Jonathan Frankle |
| 2017 |
Fairy Tales and Machine Learning: Retelling, Reflecting, Repeating, Recreating |
Anna Ridler & Georgia Ward Dyer |
| 2017 |
Intro to Markov Chains |
Dan Schiffman |
| 2017 |
On the dark history of intelligence as domination |
Stephen Cave |
| 2018 |
Feminist Data Set |
Caroline Sinders |
| 2018 |
Making Kin with Machines |
Jason Edward Lewis, Noelani Arista, Archer Pechawis, and Suzanne Kite |
| 2018 |
Why Technology Favors Tyranny |
Yuval Noah Harari |
| 2018 |
Data and Decay |
Anna Ridler |
| 2018 |
Making Kin with Machines |
by Jason Edward Lewis, Noelani Arista, Archer Pechawis, and Suzanne Kite |
| 2019 |
Making Pictures with Generative Adversarial Networks |
Casey Reas |
| 2019 |
Creative AI Lab |
Serpentine Arts Technologies & King’s College London Department of Digital Humanities |
| 2019 |
Excavating A.I. |
Kate Crawford & Trevor Paglen |
| 2019 |
The Racist History BehindFacial Recognition |
Sahil Chinoy |
| 2019 |
How Big Tech Manipulates Academia to Avoid Regulation |
Rodrigo Ochigame |
| 2019 |
Identity Turns on A Pixel When the World Becomes A Picture |
Shinji Toya |
| 2019 |
Data Capitalism |
D4BL |
| 2019 |
Consentful Tech |
Digital Rights Community Grant Program (via Akina Younge) |
| 2020 |
Gods and Robots: Ancient Dreams of Technology |
Adrienne Mayor |
| 2020 |
Ethical Malice in Peer-Reviewed Machine Learning Literature |
Vinay Prabhu |
| 2020 |
What Does The Dataset Want? Sorting Things Out |
Anna Ridler |
| 2020 |
The umbra of an imago: Writing under control of machine learning |
Allison Parrish |
| 2020 |
Seeing, Naming, Knowing |
Nora Khan |
| 2020 |
AI ART |
Joanna Zylinska |
| 2020 |
Indigenous Protocol and AI |
Jason Edward Lewis, Dr. Hemi Whaanga, Scott Benesiinaabandan, Ashley Cordes, Suzanne Kite, Corey Stover, Melita Stover Janis, Michelle Lee Brown |
| 2021 |
Identity protection with deepfakes: ‘Welcome to Chechnya’ director David France |
WITNESS |
| 2021 |
Datasheets for Datasets |
Timnit Gebru |
| 2021 |
Multimodal datasets: misogyny, pornography, and malignant stereotypes |
Abeba Birhane
∗ University College Dublin & Lero Dublin, Ireland
Vinay Uday Prabhu* Independent Researcher
Emmanuel Kahembwe University of Edinburgh Edinburgh, UK
|
| 2021 |
Usefulness of a Useless Neural Network |
Grayson Earle |
| 2022 |
Scrapism |
Sam Lavigne |
| 2022 |
Exploring 12 Million of the 2.3 Billion Images Used to Train Stable Diffusion’s Image Generator |
Andy Baio |
| 2022 |
Human Touch |
Karishma Mehrotra |
| 2022 |
Computational Anthropology and Exploring Identity through Artificial Synthesis |
Ari Melenciano |
| 2022 |
AI Music Optimism in the Face of Dystopia |
Max Alper |
| 2022 |
Art Teachers' Guide to Artificial Intelligence |
Minne Atairu |
| 2022 |
Infinite Images and the latent camera |
Holly Herndon & Matt Dryhurst |
| 2022 |
Between Metaphors and Meaning |
Maya Ganesh |
| 2022 |
Generative AI is here: Who should control it? |
Hard Fork |
| 2023 |
MP3s made by NPCs? The rise of AI-generated muzak |
Günseli Yalcinkaya |
| 2023 |
Mean Images |
Hito Steyerl |
| 2023 |
ChatGPT Is a Blurry JPEG of the Web |
Ted Chiang |
| 2023 |
Inside the AI Factory: the humans that make tech seem human |
Josh Dzieza |
| 2023 |
The Ballad of Deepfake Drake |
The Daily |
| 2023 |
The Ballad of Deepfake Drake |
The Daily |
| 2023 |
Who owns the content AI creates? |
Dina Bass |
| 2023 |
AI Isn’t Hollywood’s Villain—It’s a Flawed Hero |
Joshua Glick |
| 2023 |
Artists and Illustrators Are Suing Three A.I. Art Generators for Scraping and ‘Collaging’ Their Work Without Consent |
Min Chen |
| 2023 |
AI, WTF Do You Know About Pain? |
Noah Fischer |
| 2023 |
Parables of AI in/from the Global South |
Data & Society |